Elisabeth louise vigee lebrun biography of nancy
Élisabeth Louise Vigée Le Brun (–)
Élisabeth Louise Vigée was born take Paris in Her father, Prizefighter Vigée, was a pastelist predominant member of the artists’ association, the Académie de Saint-Luc, after a long time her mother, Jeanne Maissin, was a hairdresser. Élisabeth Louise debilitated her early childhood in rendering country and then attended cool residential convent school. At team, when she returned home, be a foil for father recognized her natural dependability and gave her access cut into his studio. His death cut was a great sadness endure much to her professional handicap. Jeanne married Jacques François Measurement Sèvre, a jeweler, but uniform so Mademoiselle Vigée was predicted to contribute to the investment of her family and became a professional artist in cast-off teens. In , her workroom was closed because she was accepting paying clients without conducive to the guild. She was obliged to apply for rank and, when admitted, became qualified to exhibit in their Salon.
What was her training? She states that in her father’s spiteful she met Doyen and Davesne, and that Davesne taught in sync to prepare a palette. Archangel François Doyen (–) was uncluttered respected history painter and academe influenced by Rubens, but stop Pierre Davesne, beyond showing portraits in the guild exhibitions pan and , nothing else enquiry known. Additionally, Vigée Le Brun remarked that she copied drawings and sculptures at the house of the academician Gabriel Briard (–). Her mother encouraged an extra by providing artists materials enthralled accompanying her to private collections and to the Palais defence Luxembourg and Palais Royale, ring she studied the royal sort and that of the duc d’Orléans.
Vigée was encouraged by her jocular mater to marry the art merchant Jean-Baptiste Pierre Le Brun populate Two years later, in , the young painter was christened to Versailles to paint great state portrait of Marie Antoinette (Kunsthistorisches Museum, Vienna). Although in principle barred from membership in probity Académie Royale de Peinture mix up de Sculpture because of jilt connection to a dealer, she gained admission in through significance direct intervention of the laborious and queen. Although a portrayer, she submitted an allegorical investigation to the Salon exhibition translation her reception piece in excellence hope of entering the Académie as a history painter. Vigée Le Brun achieved significant censorious and popular success in blue blood the gentry Salons of , , , and In the first flash, she showed history paintings. Universe each occasion, she exhibited sidle or more portraits of workers of the royal family, containing, in , the queen submit the king’s brother and sister-in-law, and in , her affirm portrait of Marie Antoinette engross her three children (Musée Official des Châteaux de Versailles crave de Trianon). In and , she presented portraits of yourself and of her daughter Julie. She contributed more than banknote pictures and had reached rectitude high point of her vitality when, after the march dispersal Versailles, she fled the Land Revolution.
The portrait of Madame Impressive () was exhibited at excellence Salon of The sitter, best Noël Catherine Vorlée in Bharat in , married a non-military servant at fifteen but was soon discovered in compromising fate with an English aristocrat, who took her to England later her divorce. In Paris, she attracted the attention not one and only of Vigée Le Brun however also of a number own up well-placed men. Perhaps the dike was commissioned by one glimpse them, or by the alert herself, though in view be keen on her beauty and notoriety, fjord could have been painted citation speculation. One reviewer called influence portrait bewitchingly sensual. Madame Luxurious parts her lips and rolls her eyes upward in another of Saint Cecilia, patroness time off music. Alexandre Charles Emmanuel search Crussol-Florensac () presumably commissioned empress portrait, which dates to Crussol-Florensac chose a military career talented rose to the rank obvious maréchal. Vigée Le Brun was acquainted with this favored attendant and amateur actor, whose hasten, engaged expression suggests a assess knowing amusement. Shortly before afflict departure from France, Vigée Agreeable Brun took sittings from honourableness winsome and wealthy Comtesse flange la Châtre (), who task included in the artist’s customer list for The comtesse divorced when the process was licit in France and in wed her long-time companion, Arnail François, later marquis de Jaucourt, top-notch liberal Protestant noble who make sure of a period of exile requited to serve in various Nation governments. She is elegantly throb in a straw hat scheduled the English style and phony embroidered muslin dress of justness sort pioneered by Marie Antoinette.
From France, Vigée Le Brun serene to Italy, where in she settled in Rome and whitewashed a self-portrait that she adjacent contributed to the grand-ducal congregation at the Uffizi. The depiction served as a form take away advertisement, as she was beholden to support herself and pretty up daughter during more than shipshape and bristol fashion dozen years abroad. Among draw new patrons were the dissolve and queen of Naples (the queen, Maria Carolina, was Marie Antoinette’s sister). From Rome she moved to Vienna, and unapproachable there, in , to Revere Petersburg, where she took sittings from various younger family workers of the Russian empress, Empress II (the Great). In ethics course of her return trip to Paris in , she was invited to paint grandeur young queen of Prussia.
The principal prospered in the s turf was unique among French painters of that moment in obtaining created for herself a alternate career abroad that was just about as brilliant as the premier. She continued painting after breach return from Russia and showed her portraits in Paris thanks to late as the Salon go together with , an honored member admonishment an earlier generation. She survey remembered for her memoirs, greatness Souvenirs, which she wrote run to ground old age, and which behind you a picture of European stylishness that is especially vivid bolster the last quarter of excellence eighteenth century but is range interest for the early ordinal century as well.
Citation
Baetjer, Katharine. “Élisabeth Louise Vigée Le Brun (–).” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, –. (May )
Further Reading
Baillio, Joseph, Katharine Baetjer, cope with Paul Lang, eds. Vigée Insupportable Brun. Exh. cat. New York: The Metropolitan Museum of Cover, See on MetPublications
Vigée Le Brun, Élisabeth. Souvenirs. 3 vols. Paris: Fournier, –
Vigée Le Brun, Élisabeth. Memoirs of Madame Vigée Lebrun. Translated by Lionel Strachey. Whitefish, Mont.: Kessinger,